NYMF alumns Brenda Machabach and David Mauk, writers of The Time Machine the Musical, share their advice on participating in musical theatre festivals.

Now that you’ve got a script and music, let’s put it out there.
NYMF alumns Brenda Machabach and David Mauk, writers of The Time Machine the Musical, share their advice on participating in musical theatre festivals.
The Broadway Bound Theatre Festival (which now accepts musicals) was created to teach playwrights to become self-producers at the festival level in the most economical way and develop new skill sets that will serve them in the future.
Musical writers can take advantage of the crowd power and use festivals as a relatively economical way to reach an audience while preparing for the next stage of development. The gathering of artists also makes festival participation helpful for building a network for future projects.
Sacred Fools is a creative theater company that offers readings and shows at the Broadwater building at Santa Monica Blvd and Vine in the heart of Hollywood.
StarStruck Academy and Theatre has several advantages for testing new musicals. They have an abundance of eager child actors in their training programs, a beautiful 202-seat theater space and plenty of rehearsal space.
Writer Brent Monahan shares tips on how to cost-effectively self produce a staged reading from his own experience with his new musical FABLE.
The Players Theatre is dedicated to helping original plays and musicals move onto an Off Broadway or New York run. Through mentoring and a theatre subsidy this program is meant to help creative teams self-produce their show.Â
In the Madison New Works Lab, Mark Evan Chimsky and Zev Burrows learned how to work with a team and how that team responds to a musical work-in-progress.
Use this helpful checklist to evaluate your own musical or analyze your favorite shows.