Types of Readings for New Musical Development
Readings are an important part of musical development. Understanding the different types will help you know what’s best for where you are.
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Readings are an important part of musical development. Understanding the different types will help you know what’s best for where you are.
Read MoreMagic happens when an ACTOR breathes life into a character. Welcoming their input will help you make giant strides in your show’s development. Here are some wise insights from veteran Broadway actors.
Read MoreIt takes a great team to execute a 29-hour reading successfully. Here’s a breakdown of the roles of the creative team for our reading at the York.
Read MoreAfter numerous table readings, concert readings, and staged readings of our show, we were invited to our first 29-hour reading at the York Theatre.
Read MoreFor director, executive producer, and choreographer Jonathan Cerullo, presenting a new musical involves clear communication with the show’s authors. A member of the Stage Director and Choreographers Society, Cerullo has often been tapped for readings, festival showcases, and event production.
Read MoreIn the business of new musicals in New York City, so much depends on who you know. Ilana Ransom Toeplitz is one of those popular directors known for her skill in guiding new works, especially musical comedy. In turn, she knows many actors, stage managers, producers and others who can help move a show from page to stage.
Read MoreEach year, the York makes a home for 30 to 40 readings of new musicals through its developmental reading series which maintains an open submissions policy.
Read Morehttps://www.kathleenwrinn.com/new-works-new-voices
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Academy Masterclass: TBA
Academy Masterclass: TBA