It would be a mistake to dismiss Little Shop of Horrors as camp, because it is written with more attention to the intricacies of construction than most serious musicals. In a sense, it’s the last purely funny musical comedy to have stood the test of time; its endurance due, in part, to its solid architecture.
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Most writers know they have to tackle certain structural must-haves, but there is one in particular that tends to be the most elusive: The Opening Number.
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A Chorus Line follows many protagonists and so must quickly introduce them in ways that delineate them and make us root for them individually.
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Using the Four Seasons catalogue, Jersey Boys tells a good, solid story with style, drama, and emotion. It uses the music as it should be used – as diegetic songs being performed by The Four Seasons. For those who fondly remember those songs, the musical probably is a nostalgic reminder of days gone by; but, even if you’re not a Four Seasons fan, Jersey Boys still is a genuine crowd pleaser and an enormously entertaining evening of well done musical theater.
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