Three Keys to Using Social Media for Musical Writers
Three key tips to guide the use of social media for musical writers (especially ones with a show to promote): Connect, Serve, and Relate.
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Three key tips to guide the use of social media for musical writers (especially ones with a show to promote): Connect, Serve, and Relate.
Read More20 Ways to Use Social Media to Promote Your New Musical at Every Stage of Development, from inception to profitable production.
Read MoreThe piano vocal score is paramount and ought to be given the same attention in preparation as the script of your musical. Without a properly formatted piano vocal score, you risk losing valuable time, money, and resources.
Read MoreAcademy member Jocelyn Moen is an Australian performer and writer. Here’s a little about her musical writing journey and a few resources she recommends.
Read MoreSam Steere, a recent recipient of a Musical Writers staged reading, shares his experience and offers tips for preparing for Pitch Night and the Academy Reading Series.
Read MoreMusicalWriters.com Producing Director Rebecca Lowrey chats with three of our writers about their experiences with the Academy Reading Series! They discuss the preparation process, the feedback they received from cast, audience and director, and how they utilized footage from the reading to create highlight reels and content for their websites, social media and submissions.
Read MoreWe’ve compiled feedback from our Academy Reading Series about what audiences, producers, and actors want to see in future new musical work.
Read MoreThe Academy Reading Series provides free, live and in-person readings for Academy member musicals selected through periodic Pitch Nights. One show will be selected for a free semi-staged reading produced and directed by Rebecca Lowrey.
Read MoreAs you prepare to submit and pitch your show for the Academy Reading Series, here are a few guidelines and tips for a successful submission.
Read MoreGetting feedback is essential to move your show forward. Here are a 7 practical and achievable steps to evaluate each progressive draft of your musical.
Read MoreLive & In Color (formerly The Bingham Camp Theatre Retreat) is a creative home for faces and stories that reflect today’s beautiful, multicultural landscape. They develop new work for the stage that promotes and celebrates diversity.
Read MoreĭmáGen is a unique educational collaboration between MSU Department of Theatre in the College of Arts and Letters and the Institute for Arts & Creativity at Wharton Center and is a unique opportunity to develop your new musical at a Big Ten University.
Read MoreOf all the independent annual theater festivals in Manhattan, New York New Works (NYNW) is the only one that presents a group of condensed shows in an evening designed for the convenience of A-list Broadway folks and potential investors.
Read MoreMusical writers can take advantage of the crowd power and use festivals as a relatively economical way to reach an audience while preparing for the next stage of development. The gathering of artists also makes festival participation helpful for building a network for future projects.
Read MoreBefore you get too far along in submitting a musical, make sure you’re ready. Here are 3 things you need to have done before you start pitching your show.
Read MoreMusical Writers Festival In-Person Pitch Night (Open to all!)
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Academy Masterclass: TBA
Academy Masterclass: TBA