All design descriptions written by the playwright must be as meticulously constructed as the dialogue. We must provide enough information to cue the designers, but not so much that their creative instincts are hamstrung.
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Musicals are intended to be written in community and collaboration, for you will be inviting others to stick their fingers in your work and stir. In this guest post, writer Donna Gay Anderson encourages us to embrace community and multiply the joy (and success) of writing musicals!
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Ten writers. Two facilitators. Ten days. One piano. That was the recipe for Spalding University’s MFA Creative Writing Program Musical Theatre Workshop.
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Defining Musical Development Steps with Holly Reed
by Ruth Broyde Sharone
Private Coaching
by Lisa Sniderman
Defining Musical Development Steps with Holly Reed
by Roger Griffin
Vocal Arranging for Composers
$14.99
Finale: Using Templates & Shortcuts
$14.99
Online Writers Groups
$349.00
Private Coaching
$95.00
Ultimate Musical Writer's Planner (Digital/Printable)
$29.99
