What Actors, Producers and Audiences are Looking For in New Musicals
We’ve compiled feedback from our Academy Reading Series about what audiences, producers, and actors want to see in future new musical work.
Read MoreWe’ve compiled feedback from our Academy Reading Series about what audiences, producers, and actors want to see in future new musical work.
Read MoreBefore you get too far along in submitting a musical, make sure you’re ready. Here are 3 things you need to have done before you start pitching your show.
Read MoreJim Kierstead, three-time Tony Award-winning producer of Kinky Boots, the revival of Pippin, and Hadestown, shares his tips on connecting with a producer.
Read MoreIt takes a great team to execute a 29-hour reading successfully. Here’s a breakdown of the roles of the creative team for our reading at the York.
Read MoreTony award-winning producer Larry Rogowsky gives advice on self-producing, raising money, vanity projects, and the importance of feedback.
Read MoreFor musical writers interested in connecting with producers, or learning to self-produce, attending TRU events may be an answer.
Read MoreThe next producer on the hot seat is Stephen Bishop Seely. Stephen is the creator of the musical theatre festival SOUND BITES and is currently the Literary Manager for Theatre Now New York. Stephen has provided some AMAZING answers for these common questions.
Read MoreTony award-winning producer Ken Davenport discusses successful crowdfunding, gaining attention, and the importance of getting your show on (any) stage.
Read MoreProducer Jennifer Tepper discusses online and in-person networking, how she connects with writers, and how writers can set themselves and their shows apart.
Read MorePitching your show to potential producers is a skill set that can be developed. Always be ready with a brief yet compelling pitch!
Read MoreWant access to the full calendar of Submission Opportunities?
Academy Masterclass: Douglas Lyons