TRU’s Writer-Producer Speed Date
It’s important to be able to talk about our musicals in a pitch format. How is a producer supposed to sell our show if we don’t know how to sell it ourselves?
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It’s important to be able to talk about our musicals in a pitch format. How is a producer supposed to sell our show if we don’t know how to sell it ourselves?
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Musical writers can take advantage of the crowd power and use festivals as a relatively economical way to reach an audience while preparing for the next stage of development. The gathering of artists also makes festival participation helpful for building a network for future projects.
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For musical writers interested in connecting with producers, or learning to self-produce, attending TRU events may be an answer.
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There’s always a journey and much to learn about moving a musical toward a commercial or nonprofit run, whether through an industry reading, showcase, festival, off-off-Broadway, or off-Broadway production.
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Bob Ost and a panel of experts regularly host “boot camps” to provide fledgling theatrical producers and writers interested in self-producing with a set of practical strategies for attracting and securing investors. These events are only one of a slew of workshops and seminars hosted by TRU, a not-for-profit service organization that exists to better acquaint producers, theater companies and artists with the business side of show biz.
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"The Lobby" Academy Meet-up