Sammi Cannold on the Writer-Director Relationship
Sammy Cannold, director of “How to Dance in Ohio” (Broadway 2023) shares about the important relationship between directors and writers.
Read MoreSammy Cannold, director of “How to Dance in Ohio” (Broadway 2023) shares about the important relationship between directors and writers.
Read MoreMusicalWriters Producing Director and CEO Rebecca Lowrey shares how to know whether your show is ready for a staged reading.
Read MoreMusical theatre arrangers and orchestrators transform piano/vocal scores into full-fledged production. But how are these roles different?
Read MorePOV: You just finished a draft of the show you’re writing. Now it’s time to plan a musical table read, and we hear your inner monologue.
Read MoreReadings are an important part of musical development. Understanding the different types will help you know what’s best for where you are.
Read MoreDirector Ilana Ransom Toeplitz generously shares her thoughts and experience on the process of working with writers on new musicals.
Read MoreVirtual readings have become the norm and are now a cost-effective way to develop your musical while Broadway and other stages are dark. Here are a few tips on how to host your own Virtual Reading.
Read MoreWriter Brent Monahan shares tips on how to cost-effectively self produce a staged reading from his own experience with his new musical FABLE.
Read MoreCarol de Giere interviews Matthew Sklar, the Tony, Emmy and Drama Desk Award-nominated composer of Broadway musicals Elf and The Wedding Singer, and most recent to Broadway: The Prom.
Read MoreWant access to the full calendar of Submission Opportunities?
Academy Reading Series Pitch Night - SheARTS Edition
Academy Masterclass: Natalie Rine - Broadway DNA